Do You Need Filters for Landscape Photography?

Photography Filters Explained

*My NiSi* *6-stop*, *10-stop* *and my* *polarising filter*.

I used to think filters for landscape photography were like Instagram filters, where you could press one button and your image’s style would change immediately. Well, they are nothing like that at all.

Landscape photography filters are tools for enhancing and controlling the light entering your camera lens. They come in various types, each serving a unique purpose that can greatly influence the outcome of your photos.

Polarising filters are brilliant for reducing reflections and boosting colours, making those skies pop and water surfaces crystal clear.

Neutral density (ND) filters allow for longer exposures by limiting the light that enters your lens, perfect for silky smooth waterfall shots.

Graduated ND (GND) filters help balance the exposure between the bright sky and darker ground, a lifesaver for those dramatic sunsets and sunrises.

Understanding how and when to use these landscape photography filters can significantly impact the quality and creativity of your landscape photography, giving you more control over your final images.

My Experience with Filters for Photography

Setting up a tripod for landscape photography in misty, rainy conditions — *Wrestling with my* *iFootage Gazelle Tripod* *in the rainy* *Lake District National Park*.

Recently, whilst out on a landscape photography adventure, I thought about this question: "Do you need filters for landscape photography?"

Shooting in the rainy English Lake District, I reflected on how my use of landscape photography filters has changed over the years.

This journey isn't about right or wrong methods; it’s a personal narrative on how my style has adapted and how filters fit—or don’t fit—into my current workflow.

Whether you’re an experienced photographer or just starting out, I hope my experiences provide some food for thought on your own landscape photography journey.

There's a lot to be said for the traditional use of filters, but as techniques evolve, so do our tools and preferences.

Sunlight streaming through a misty forest, creating a magical landscape scene — *Capturing the moody beauty of the* *Lake District*.

The Shift Away from Filters

Close-up of a camera with a landscape photography filter attached, ready for shooting — *My trusty* *NiSi polarising filter, always in the bag! Check out all my gear:* *HERE*

Landscape photography filters have been a staple in my photography bag for years. Yet, recently, I've noticed a significant decline in how often I use them.

This shift isn’t because filters have lost their utility; they still play a crucial role in certain scenarios. For instance, I always carry a polarising filter to cut reflections off water surfaces and it’s fantastic for making colours pop and skies look more vibrant.

However, I now prefer enhancing colours during post-processing rather than relying on a filter in the field.

This change stems from a combination of personal preference and evolving photographic techniques. The control and flexibility that post-processing offers has made it easier to achieve the desired effects without the need for physical filters.

It’s a trend I’ve noticed among many photographers who are looking to streamline their gear and process.

Dynamic Range and Post-Processing

Landscape photo comparison before and after post-processing using Photoshop — After ‘bracketing’ images out on location, I then use Lightroom and Photoshop as post-processing tools to deal with high dynamic scenes.

One significant change in my approach is the way I handle dynamic range.

I no longer use graduated neutral density filters to balance exposure in the field. Instead, I’ve become proficient at bracketing exposures and blending them in post-processing.

This method allows me to address dynamic range issues more comfortably at home, without the hassle of adjusting filters in unpredictable weather conditions.

The flexibility and control offered by post-processing has greatly influenced this shift. Bracketing exposures means I can capture a wider range of light and shadow without worrying about carrying multiple filters.

It’s especially useful in challenging lighting conditions, where quick adjustments can make all the difference.

Plus, the ability to fine-tune each layer in software gives me much more creative control.

The Evolution of My Photographic Style

Flowing waterfall in a lush green valley under a cloudy sky — *Capturing the perfect texture in the moving water. En route up to* *Crinkle Crags* *in the Lakes.*

My style has evolved from favouring ‘super-long’ exposures that create a dreamy, milky effect on moving water.

Now, I appreciate the texture and detail captured at ‘shorter’ long shutter speeds.

For example, I often shoot waterfalls and waves at around one-quarter of a second, which generally doesn’t require an ND filter if I’m shooting at sunset. This change in preference is another reason why landscape photography filters have taken a backseat in my photography.

My current style focuses a little more on capturing the natural essence of the scene rather than altering it too much with filters. I’ve found that this approach allows for more authentic photographs.

It’s about adapting to the moment and making the most of the natural light and conditions. This evolution in my technique reflects a broader trend towards simplicity and authenticity in landscape photography.

Personal Preferences and Practicality

Photographer with camera and tripod on a rainy day in the countryside — *Hiding behind a dry-stone wall with my* *Nikon Z7* *and* *24-200mm lens*.

On this adventure, the rain and mist created perfect conditions for moody, atmospheric shots!

I found a spot behind a dry stone wall for some shelter and set up my camera. The challenge of keeping my gear dry was constant, but the resulting images were worth the effort.

One particular shot, featuring a pathway leading through a cluster of trees, highlighted the natural beauty and intriguing elements of the landscape without the need for landscape photography filters.

This experience, like so many others in difficult weather, reinforced my preference for dealing with dynamic range and colour enhancements during post-processing rather than in the field.

There’s something incredibly satisfying about tweaking an image in post to bring out its full potential. It’s a blend of art and science, allowing for creativity while ensuring technical precision.

Plus, it means less gear to lug around, which is always a bonus!

Foggy forest scene with tall trees and winding road — My main reason for using filters less is my confidence in post-processing, which means I no longer need to carry them all the time. This also makes landscape photography easier in adverse weather, as faffing with filters can be quite challenging.

Do You Really Need Filters?

Photographer in orange rain jacket near car trunk on a rainy day — *Finding joy in every* *photoshoot, rain or shine!*

So, do you really need filters for landscape photography? The answer isn't black and white.

While landscape photography filters can be incredibly useful, they aren't always necessary.

It largely depends on your style, the conditions you're shooting in, and your personal preferences. Filters can help achieve effects that might be difficult to replicate in post-processing, like reducing glare with a polarising filter or smoothing water with an ND filter.

However, with advancing post-processing techniques, many effects can now be achieved without physical filters. It’s about finding the balance that works for you.

Some photographers swear by their filters, while others, like myself, are moving towards a more minimalist approach.

The key is to experiment and discover what enhances your workflow and helps you capture your vision most effectively.

Conclusion

Dramatic coastal landscape with rocks and waves at sunset — *An image taken in* *Tenerife* *at 1/4sec using my* *OM System OM-5. No filters were necessary!*

My journey through the rain-soaked Lake District reinforced the idea that landscape photography is deeply personal and ever-evolving.

While landscape photography filters remain valuable tools, my reliance on them has decreased as my style and post-processing skills have developed.

This adventure was a reminder that the best approach is the one that suits your individual style and creative vision.

So, whether you’re a filter enthusiast or prefer to rely on post-processing, the key is to find what works best for you and your unique perspective.

There’s no right or wrong way, just your way.

Thank you for joining me on this adventure and do checkout the YouTube video on this topic below!

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